PassCode in Taipei (2018)

PassCode played in Taipei again last October, and I did not hesitate to make the trip again that time. I didn’t have to apply for a visa now, due to some new tourist policy in Taiwan for Filipinos. All I had to do next was ask Yennung, the local fan contact I’ve made from the last time I went, to help me get a ticket. In a few short days after the tour announcement, I had photo proof sent to me of my concert entry stub. 

For 2018, PassCode has released new music, and it was even better, harder, than their last release. Their recent music videos were great, and the management has kept a good balance in getting Yuna -my favorite, she who screams for the group- highlighted in some songs. It also looked like they were appearing in more TV shows in Japan. All this has me thinking this loudol (loud idol) outfit will be set for more good things soon.

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PassCode in Taipei (2017)

When Yennung handed me over my gig ticket last Sunday, the big relief that came wasn’t the overwhelming sort, maybe because the physical fatigue I’ve went through to be there (spent the night at the airport for an early morning Shanghai to HK to Taipei flight the day before) was still very present. More than a week ago, Yennung was an internet stranger who heeded my call when I showed interest in going to a concert in Taipei by posting on a Facebook fanclub. I wasn’t asking for anything specifically, but about 2 days after we chatted, I was looking at a photo of an electronically printed piece of paper that, figuratively, had my name on it.

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The 2016 Music List: The Age of Alt-Idols

The year 2016 wasn’t much of a change from the routine. I watched the usual post-rock shows, but had on normal listening rotation a thing, this thing  that I didn’t get into because I’m into music that just should not be regular, or even hip. There was simply an invisible hand, a gravitation towards it. There’s no definitive tag to it, so let’s give it the loose term it’s been given by fellow fans: alt-idol.

BABYMETAL promo image for their 2nd album, Metal Resistance, released March of this year.

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Big Four, Part 2

Part 1 here.


World’s End Girlfriend
November 5, 2016
QSW Culture Center

When news of World’s End Girlfriend playing here got around, there wasn’t any hint of hesitation that I just had to go, though, sure, I’ve only seen a handful of music videos, maybe played a song or two, but there was no legitimate big fan tag to pin with legitimacy on me. Should it matter, though? There’s that admission, and there was this opportunity that this -to put it bluntly- will be just like any other weekend gig I go to, except that it was a Japanese band that has appealed to the discerning music fans outside of their country for some time.

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Big Four, Part 1

There were too many gigs to specify and put on the post title, hence a “big four” reference came to mind. There was no intent to be definitive at all using it, and sure, it is a slight overreach, but, see, I just saw these giants of Japanese modern instrumental rock for the last quarter of 2016, in my immediate neighbourhood: Mono, World’s End Girlfriend, te’, and toe.

I’ll start with Mono -a band I’ve already seen twice- and toe, another band I’ve seen once before, and they also chose a Shanghai show that falls on my birthday.

toe
December 1, 2016
Mao Livehouse

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